I found some cool framing software so here are a couple tries for this image:
This is the first scanned image from my very productive Mt. Whitney trip. Jenn's parents made my day when they said they wanted this picture for their entryway and said they would pay for the scan and everything! The image is of a dead Bristlecone Pine tree in the White Mountains of California. These trees live up to five thousand years and the oldest known tree on the planet is in a grove just a few miles from this location. These trees are really inspirational. If grown at lower elevations (this was around 11-12,000 feet) they don't live nearly as long. But up high, the winds, lower nutrient soil, and lower air pressure slow down their metabolisms, which makes them live so long. Also, the wood from these high trees rots very slowly so their legacy will continue for thousands of more years. Adversity makes them strong! This tree was probably 3000+ years old when Jesus walked the earth. On another note, the mountains in the distance are the Sierra Nevadas rising to around 14,000 feet and the valley between (about 70 miles north west of Death Valley) amazingly falls to 2000 feet. The mountains were magenta because of a very nice effect caused by the heavy smoke that was in the air from the wildfires. Anyway, I think I'll be working on this edit for a while to try and get it just right. Hope you like it.
This image was taken on the Nebo Loop near Payson Lakes, in spring. I didn't realize this before, but apparently young new aspen leaves can be just as yellow as fall color aspens are. Better edit to come. By the way, if anyone is reading this, I was wondering what people think of the titles I've been coming up with for my images. Too corny? Would you rather they were titled based on where they are?
This, of course, is a preliminary edit. I took this from West Mountain (south end of Utah Lake) just after sunset. I was frantically trying to get everything set up before the high pink clouds disappeared. I had to use a 10 sec exposure and literally during the last two seconds of exposure the pink clouds were gone. Hope you like it.
This photo was taken from West Mountain near Spanish Fork. I had anticipated a shot with large clouds over the snow capped mountains (I think it's Spanish Fork Peak) below -- I did this to give perspective for the clouds above. I waited there for several hours for the perfect composition. This is the first prelimary edit of the scanned image. Hope you like it. Remember to click on the photo for a larger version.
Update -- This is the final version (maybe :) ) Click on the photo for a larger (better) version. This shot was taken on the same Arches trip in 2005. I guess it takes me a LONG time to finish pictures. I just got this back from scanning and this is just a preliminary edit. The actual edit will take at least a week. Tell me what you think.
Update -- An even more final version :) (6-2-08) New Update -- This is the final version. I took this picture on the same trip to Arches as the picture below this one. If you looked in exactly the opposite direction you would see Delicate Arch right in front of you. Everyone there is always so distracted by the Arch that most people don't notice this view. It was a real sight; I was the only serious photographer there at the time and to everyone's surprise, I pointed the camera in the opposite direction. Very fun.
I believe photography is about recognizing those amazing moments and places we have all experienced. Photography is unique in that it is an honest medium, but it can also be easily manipulated. A photograph will always give a sense of reality whether what you're looking at is true to life or not. This combination creates a dynamic power of expression.
Before I expose any film, I first seek out the essence of the location I'm shooting and work to express that essence in every composition. A place is beautiful for reasons we do not always understand, and we sometimes take its elements out of context, lessening their power. I believe every photograph should have a defined message and purpose; I decide on a message for each photograph before taking the camera out. With a purpose or message in mind, I then use the tools of line, texture, color, form etc to achieve that message.
Equipment and Process
Equipment For my photography, I use 4x5 and 5x7 film cameras (that means, for a 4x5, the film is actually four inches by five inches). These formats are called "large format." You may be familiar with images of Ansel Adams under a black hood, taking pictures with an accordian looking camera. He used one of the largest formats--8x10. Large format has many advantages which I will only mention briefly here: better tonality, greater focusing control, perspective control, and of course, the ability to print very large pictures that retain the highest detail possible. To give you an idea, 4x5 film is about equivalent to a 200 megapixel digital camera. Large format photography is also considerably more challenging than other formats. For example, the image on the ground glass (like a view finder) is upside down and backwards.
Walker Titan XL 5x7
Process After exposing the transparency film (positive film), it is developed at a local lab. After a lot of thought, I choose my favorite transparencies to have drum scanned (a drum scanner is a commercial, professional scanner). When I receive the finished scans, I get to work photo editing. Using Photoshop, I enhance color accuracy and saturation, local and overall contrast, density, and sharpness. Editing the scan takes between a few weeks to a few months, and is by far the most creative step in the process. Once edited, the photos are ready to be printed on traditional photographic paper or using up-and-coming inkjet technologies. Because of the expense and effort associated with every image, there are only a few finished images. In the end, I hope to have powerful and expressive images that capture the spirit of the scene.